Dangal Movie Review :
There comes a period when a star offers into the requests of a part which he knows will make him not-beautiful: as a wannabe wrestler past his prime, Aamir Khan is squat, with a substantial stomach, a think step, and a grizzled facial hair in Dangal. Just his sticking ears are recognizable: whatever remains of him is unadulterated character.
We will need to gauge Aamir Khan’s future exhibitions with this one: as Mahavir Singh Phogat, fizzled wrestler, harsh cut tyrant, yet minding spouse and father of four young ladies, he scales it up to a point where you can see the star thought on a character, attempt it for size, and make it his own.
That was urgent for us to have faith in Dangal, which gets a few components from the genuine Haryana wrestler who prepared his more seasoned two little girls, Geeta (Fatima Sana Shaikh) and Babita (Sanya Malhotra), in the specialty of wrestling, and transformed them into victors.
Dangal takes a shot at the twin parameters it sets up for itself. One is a straight-forward film about a well known game and the individuals who play it: we feel and notice the `mitti’ of the `akhara’, the `daanv-pench’ (moves) that genuinely talented wrestlers use to confront down imposing enemies. We see the hard work that go into the making of champions.